Precise lip-sync is 50 credits on a clip you already shot. It adds mouth movement. It does not reshoot. Singer performance is a separate picture change. Finished clips longer than 15 seconds stay disabled.
Precise lip-sync is a 50-credit pass over a clip you already shot. It does not reshoot, it does not require Singer performance, and it stays off when the finished video is longer than 15 seconds or has no audio. Mark close-up sung lines — on the web, Shift-select them — and leave wide shots alone.
You already have a take. Precise lip-sync puts the mouth on the vocal. The rest of the frame stays. If you wanted a new picture, that is a reshoot, not this button.
Fixed 50 credits per clip. The original video URL stays. The lipsynced take is a separate file the player prefers when it is ready.
Singer performance changes the picture. After a clip is shot, Precise lip-sync does not ask you to turn that switch on first.
There is no separate 720P upsell on this button. A 480P close-up stays 480P. A 720P close-up stays 720P.
The disabled hint must match the real reason. It is never “turn on Singer performance” on a clip you already finished.
The clip must be completed, have audio, and the finished video duration must be 15 seconds or less. The lyric range on the timeline can look shorter than the file.
Mark the faces that sing. Wide shots, B-roll, and instrumental bars do not need mouths. Do not run this on every clip in the song.
On suno.bi, Shift-select clips on the timeline, storyboard, or score, then right-click Precise lip-sync. You do not open fifteen editors.
No new picture. No fifteen editors. Shoot the face, confirm the 15-second gate, run Precise lip-sync, wait a few minutes.
Precise lip-sync needs a completed clip. If the take is not shot yet, shoot it. Lip-sync will not invent the frame.
The gate reads the finished video duration, not the shorter lyric range on the timeline. No audio, or over 15 seconds, keeps the button off.
One clip in the editor, or Shift-select several on the web timeline, storyboard, or score. Skip wide shots and instrumental bars.
This is not a reshoot. The original take stays. Singer performance is a different picture change — you do not turn it on first.
The job usually returns in a few minutes. Failed runs refund the 50 credits. There is no separate resolution picker on this pass.
The player prefers the lipsynced file when it is ready. Lyric and waveform overlays in export are unrelated and cost nothing.
Use it where a mouth is on camera and a lyric is on the vocal. Everywhere else, skip it.
The hook face, usually under 15 seconds. One 50-credit pass beats reshooting the same chorus for 205 credits on a 9-second 480P take.
A repeated close-up still needs its own pass. Shift-select both on the web instead of opening each editor.
Establishing shots, hands, and B-roll do not need mouths. Save the 50 credits for faces that sing.
These are the ways people burn the wrong credits or stare at a disabled button.
A full song is mostly not a singing close-up. Mark the faces. Leave the rest.
Reshoot price follows the video model, duration, and resolution. Precise lip-sync is always 50 credits and never replaces a reshoot.
On a finished clip that is not a gate. The real reasons are: not shot, finished video over 15 seconds, or no audio.
This page is the lip-sync how-to. These pages own the neighbouring jobs.
Paste a Suno link and get the lyric-synced MV first. Lip-sync comes after the close-ups exist.
H3 Max is the fast 480P/720P shot row. It does not do lip-sync. Do not send singing close-ups there.
OpenArt Director can build scenes and lip-sync from an uploaded track. That is a different studio, not this 50-credit pass.
Lip-sync in a music video is matching an on-screen mouth to a vocal that already exists. The picture can be filmed or generated; the job is the same: visemes land when the words are sung, so a close-up does not look dubbed.
Generating a clip starts from a prompt or a still and produces new frames. Refining a clip keeps the take you have and changes one layer — here, the mouth — instead of replacing the shot. Image-to-video is generation; a lip-sync pass on finished footage is refinement.
Suno users generate roughly 7 million songs per day — enough new audio every two weeks to match a 100-million-track catalog. As of February 2026 the service had passed 100 million users. Most of those songs never get a picture, so a close-up that actually sings is how a track leaves the generator page.
Suno Revenue and Usage Statistics (2026), Business of Apps ↗Deezer reports that 44% of tracks newly uploaded each day are fully AI-generated (about 75,000 a day, up from 10,000 a day in January 2025). The bottleneck moved from making the song to getting it seen — which is why a 50-credit mouth pass on a sung close-up is worth more than another unwatched take.
Deezer disclosure, cited in Suno Revenue and Usage Statistics (2026), Business of Apps ↗A 50-credit mouth pass on footage you already have — not a new shoot.
“I only run it on the two chorus faces. Fifty credits, a few minutes, the rest of the board stays. I used to think I had to reshoot.”
Ava K.
Independent artist · Suno chorus close-ups
“Shift-select the close-ups on the timeline and right-click. I was opening every editor. That was the slow part, not the lip-sync itself.”
Noah R.
Short-form creator · Web timeline
“The bar looked like nine seconds. The finished file was longer. Once I split the take, the 50-credit button came on.”
Mei L.
Bedroom producer · 15-second gate
FAQ'S
Ask us anything!
Open your SunoMV on suno.bi, mark the sung faces, and run Precise lip-sync at 50 credits a clip — no reshoot.
/icon.png){kind=icon}
